Scribbled
in my opening notes is that Lawrence Barrett’s poetry describes scenes with
imagery that have not been tried before. Secondly, while admitting, and at
times lamenting, his need to write, he also knows that his words are but
instruments doomed to failure; unable to capture the ineffable; unable to
convey full measure. Take the line from “7” of his title poem“Opus Crush:”
“…I
realize
that
before I reach paradise comes
purgatory; that
this is the burden
we live
writing songs.”
Truly,
writing poetry is more than suffering for Barrett, it is purgatorial duty and
dark irony as he celebrates his 50th and states in the same poem:”
“…no
more hands
to
hold in thebroken bird cages
of broken hearts; only
lovers gone running
from this slaughter
house of cold poems…”
Barrett’s
Opus is truly a work of crushing
poems; poetry crushing dreams; crushing love; crushing hope; crushing
disillusionment; crushing the sound of the average and the usual with a rushing
waterfall of words. Barrett, a former soldier who served in Iraq speaks of “the
slaughter of the innocent:”
purple intestines she
runs pissing herself;
skin burning the sul-
fer stench of car-bomb…”
“no
war fortunes,
no
political deities, no poetic institutions,
only native dominion,
herdsmen, foothills,
piles of dust.”
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